Thomas, P. L. (2011, March). quilting. English Journal, 100(4), TBD.
-----. (2008, September). horae. English Journal, 98(1), 15.
-----. (2008). billboard, drawn to two. In Ed. R. Harkai, Still Home: The Essential Poetry of Spartanburg (pp. 15-19). Spartanburg, SC: Hub City.
-----. (2008, Fall). aching, yellow wood to bare. root, 2(3), 21.
-----. (2007, Fall). mountain biking, upon hearing Adrienne rich speak and read her poetry. root, 1(2), 26-27.
-----. (2006, Spring). Wishing away the bars. James Dickey Newsletter, 22 (2), 41.
-----. (2003, Spring). rocks, scissors, paper—stoned. the echo, 11.
-----. (2002, November). Mary (sea of bitterness). English Journal, 92 (2), 118.
-----. (2001, May). Poetry showcase: if—pining, melting, leprosy, Mary (sea of bitterness), the death of us. drift, 1 (3), 29.
-----. (2001, January). michael has a beautiful voice. drift, 1 (2), 11.
-----. (2001, September). wishing away the bars, bones of contention, the me not me. drift,1 (1), 16, 18.
-----. (1998, Fall). blouses and skirts. The South Carolina Review, 31 (1), 138.
-----. (1997). Salvador Dali’s Daughter Mine. Writers INC, 33.
-----. (1997, January). michael has a beautiful voice. The Carolinian, 29 (13), 12.
-----. (1996, Spring). etching. The Old Red Kimono, 25, 45.
-----. (1994). 3 1/2’s (three halves). Outerbridge (25), 74.
-----. (1993, February). dairy road. South Carolina Writing Teacher, 3 (3), 4.
-----. (1992). don’t let your legs. Amelia: twenty, 12 (1), 158.
-----. (1990, Fall). She could. Cumberland Poetry Review, 10 (1), 48.
-----. (1989, Fall/Winter). Dairy road. Aura Literary/Arts Review, 27, 40-41.
-----. (1989, Fall). Dickey. Oregon English, 11 (2B), 35.
-----. (1987, January). Thoughts in silhouette. The Writer, 100 (1), 22-23.
-----. (1985). Nada y pues nada. The Piedmont Literary Review, 10 (3).