New Critical Essays on Kurt Vonnegut
"Together the essays stand as an introduction to rereading Vonnegut, demonstrating that his canon may be worth reexamining. Secret lovers of Vonnegut (and sci-fi) will use this book to defend their affections for an artist whose pop fame and pop forms dismay some critics. And one can almost imagine Vonnegut's crooked smile at essays that seek to reserve a place in high-toned literary debates for his works."--Choice
“Whether describing the uniquely warm personal relationship many literary critics shared with Vonnegut (Todd Davis), exploring the evolution of a feminist vision in his work (Susan E. Farrell), bringing fresh insights into the function of science fiction elements in his novels (Lorna Jowett), or detailing Vonnegut’s ambiguous but important relationship to other writers such as Hemingway (Lawrence Broer), these one dozen essays offer convincing arguments that Vonnegut should, and will, remain a canonical American writer—at least until we humans manage to destroy the world.”-- William Rodney Allen, author of Understanding Kurt Vonnegut
Kurt Vonnegut's darkly comic work became a symbol for the counterculture of a generation. From his debut novel, Player Piano (1951) through seminal 1960's novels such as Cat's Cradle (1963) and Slaughterhouse-Five (1969) up to the recent success of A Man Without A Country (2005), Vonnegut's writing has remained commercially popular, offering a satirical yet optimistic outlook on modern life. Though many fellow writers admired Vonnegut-Gore Vidal famously suggesting that "Kurt was never dull" -the academic establishment has tended to retain a degree of scepticism concerning the validity of his work. This dynamic collection aims to re-evaluate Vonnegut's position as an integral part of the American post-war canon of literature.
978-0-230-12097-6 || 250 Pages || $28.00 PB || September 2011
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